I am OBSESSED with a great wig. I think they are to be strongly consider when creating a masked Commedia character. Yes, you can do a hat, for on the head… but why not consider a wig?!
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We at Tut’Zanni have been in some discussions about the theatre we make, how we do it and how we do it with a eye towards Anti-Racism.
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We are very excited to announce that this year’s campaign was a huge success!
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We recently taught our first all-online Zoom workshop - and it was awesome!
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We, the members of Tut’Zanni Theatre Company, want to acknowledge that we are each privileged to live on, and to collectively gather on the traditional homeland to various groups of Indigenous people.
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I cannot shake this feeling like maybe Commedia is really bad at intersectionality.
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Commedia characters do not have objectives the way traditional acting classes talk about them, they have base needs, or drives.
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We got a question on the blog that sparked a really interesting conversation…
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Could all language could be born from a fear of presence and being not being enough - needing to be “sure” you are getting across your point to something else?
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There is more to language than what is spoken, and what is spoken may not always be what you think it will be.
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white supremacy is a potent drug
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We stand with Black Lives Matter.
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